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Posts by GBP Phares:

Open Terrain, 2016-ongoing

The Apple Vision Pro has me revisiting my head-gaze navigation work from 2016–2018. My focus is pretty straightforward: art as experience. Environments you move through by simply looking—no controllers, no interface. Just your attention and the space. That quiet coupling between steady gaze and slow movement through terrain and light is where I want the work to inhabit.

I’m building this for clinical settings, notably the neuro-modulation department at Mt. Sinai, because the patients there could use exactly what this kind of experience offers: a pause, a shift in perception, a different relationship with the moment they’re in. Art doing what art necessarily does, but in a place that rarely provides a way to get out and experience curiosity and a bit of wonder.

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90Hz: Bone Battery

Part of the Open Terrain series, “90hz: Bone Battery” has been installed in intimate settings and scaled for larger venues. It’s a personal work around physical abuse and unresolved trauma that I’ve recently learned has a more universal connection than originally thought.

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90Hz: Americana Apocalypse@Big Ears Music Festival 2026

Part of the Open Terrain series, “90hz: Americana Apocalypse” was installed in a former Greyhound Bus Depot in Knoxville, TN, and was a result of an ongoing collaboration with the ambient country band SUSS on the release of their “Counting Sunsets” album.

90Hz: Atmospheric Outreach (ongoing)

Part of the Open Terrain series, “90hz: Atmospheric Reach” has been installed in different overhead locations around the country, including Vero Beach Museum of Art and The Heard Museum in Phoenix, AZ.